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But Mona in such a case as this prefers being "taken in" (though she may object to the phrase), and in process of time grows positively fond of Lady Rodney. "Why?" demands her mistress, somewhat haughtily. "I suppose even the English gentleman, as you call him, can see butter with dying! Show him in at once." "It is quite necessary you should know all about it," says Nicholas, in a low tone, to Dorothy, whom he is holding carefully, as though under the mistaken impression that young women if left on chairs without support invariably fall off them. "As the future mistress here, you ought to be up to every point connected with the old place.".
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"Yes; pigs!" says Mona, sweetly. At last, one day, Old Man decided that he would make a woman and a child, and he modelled some clay in human shape, and after he had made these shapes and put them on the ground, he said to the clay, "You shall be people." He spread his robe over the clay figures and went away. The next morning he went back to the place and lifted up the robe, and saw that the clay shapes had changed a little. When he looked at them the next morning, they had changed still more; and when on the fourth day he went to the place and took off the covering, he said to the images, "Stand up and walk," and they did so. They walked down to the river with him who had made them, and he told them his name. "Not always," sobs Doatie. "I know how it will be. We shall be separated,—torn asunder, and then after a while they will make me marry somebody else; and in a weak moment I shall do it! And then I shall be utterly wretched for ever and ever." "I don't think you can have much, certainly," says Mr. Rodney, with the grossest rudeness, "when you can let a few ridiculous scruples interfere with both our happiness." Then, resentfully, "Do you hate me?".
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